Dec. 28, 2009 — How can I have a blog, without raising a glass to Ramon Novarro (1899-1968) … Ramon … Why do I like him? One of the sweet mysteries of life …
Signs of prior addiction:
- Plotted and planned to record his every film shown on TCM
- A thankfully brief eBay stint when I thought I could buy EVERYTHING Ramon. Not possible, there’s just too much …
- Traveled miles over wintery mountain roads for a big-screen showing of The Red Lily, 1924, at the Bijou Theatre, Lincoln City, Oregon. Now THAT was a coup, finding it in little coastal Oregon! The Ramon stars were truly aligned! … All thanks to supreme Ramon-arian, Matias Bombal … December 6, 2000.
- Finally located his grave at Calvary Cemetery, Los Angeles. Took two attempts, over several years, first with Debra, then Russ and little Krista. Brave souls!
I have a hazy memory of a movie on tv … an Arab, an oasis … black and white … on a Portland, Oregon station, sometime between the 3rd and 6th grades. I bought a small gold picture frame at a store in Battle Ground, with a photo of a young-ish Rock Hudson in a red and black lumberman’s shirt. I must have got it more for the frame … Rock Hudson wasn’t really on my radar.
Back home at East Beaver Creek, I wrote on the back of Rock’s photo, “Ramon Novarro”. I definitely wrote a name … with an Arab and an oasis in mind … So, which movie was it? The Barbarian, 1933? The Sheik Steps Out, 1934? Maybe even Son of India, 1931? … All three are sound, unlike the silent The Arab, 1924.
The mysteries of memory … In any case, here are a few of my favorite Ramon Novarro photos:
The Arab, 1924 – with Alice Terry
Across to Singapore, 1928
Across to Singapore, 1928 – with Joan Crawford
The Pagan, 1929
The Pagan, 1929 – with Dorothy Janis
Son of India, 1931 – with Madge Evans
The Barbarian, 1933 – with Myrna Loy
Could this be the film that sparked it all? The Sheik Steps Out, 1934